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3秒自动关闭窗口Chinese Hanging Scroll 李元宰 Lee Won Jae 034 Fierce Tiger 034 Z189 | eBay
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Additional site navigationCopyright (C)
eBay Inc. All Rights Reserved. ,From Wikipedia, the free encyclopedia
(Redirected from )
A hanging scroll (: 立軸; : lìzhóu; also called 軸 or 掛軸) is one of the many traditional ways to display and exhibit Chinese
and . Displaying the art in this way allowed public appreciation and appraisal of the aesthetics of the scrolls in its entirety by the audience. It is to be distinguished from the , which was narrower and often much longer and not designed to be all visible at once. The Japanese term for the similar objects in Japan is "". The Indian term for the similar object is
, whose origin dates back to the 5th century BC. Pattachitra is a general term for traditional, cloth-based scroll painting. In the Sanskrit language, "Patta" literally means "cloth" and "Chitra" means "picture". Most of these paintings depict stories of Hindu deities.
Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied and secured for storage. The hanging scrolls get rotated according to season or occasion, as such works are never intended to be on permanent display. The painting surface of the paper or silk can be mounted with decorative
silk borders. In the composition of a hanging scroll, the foreground is usually at the bottom of the scroll while the middle and far distances are at the middle and top respectively.
The traditional craft involved in creating a hanging scroll is considered an art in itself. Mountings for Chinese paintings can be divided into a few types, such as handscrolls, hanging scrolls, album leaves, and
amongst others. In the hanging scroll the actual painting is mounted on a larger mount of fabric or paper, sewn at the top and bottom ends round small wooden poles or rods. At the top the pole allows hanging by a cord, and at the bottom it provides a little weight to hold the scroll flat and steady.
In , scrolls originated in its earliest form from literature and other texts written on
banners. The earliest hanging scrolls are related to and developed from silk banners in early Chinese history. These banners were long and hung vertically on walls. Such silk banners and hanging scroll paintings were found in the tombs at
dating back to the
(206 BCE – 220 CE). By the time of the
(618–907), the aesthetic and structural objectives for hanging scrolls were summarized, which are still followed to this day. During the early
(960–1279), the scrolls became well suited to the art styles of the artists, consequently hanging scrolls were made in many different sizes and proportions.
Chinese hanging scroll of a painting on display in the
The hanging scroll provides an artist with a vertical format to display his art mounted onto a wall. It is one of the most common types of scrolls for Chinese
and . Horizontal hanging scrolls are also very frequently used and a common form. The hanging scroll is different from the handscroll in that the latter is not hung. The handscroll is a long narrow scroll for displaying a series of scenes in Chinese painting. This scroll is intended to be viewed section for section during the unrolling and flat on a table, which is in contrast to a hanging scroll that is appreciated in its entirety while guiding the eyes through the artwork.
There are several hanging scroll styles for mounting, such as:
Yisebiao (一色裱, one color mount)
Ersebiao (二色裱, two color mount)
Sansebiao (三色裱, three color mount)
Xuanhezhuang (宣和裝, also called 宋式裱,
type mount)
Besides the previous styles of hanging scroll mountings, there are a few additional ways to format the hanging scroll.
Hall paintings (中堂畫)
Hall paintings are intended to be the centerpiece in the main hall. It's usually quite a large hanging scroll that serves as a focal point in an interior and often has a complicated subject.
Four hanging scrolls (四條屏)
These hanging scrolls were developed from . It features several narrow and long hanging scrolls and is usually hung next to each other on a wall, but can also be hung on its own. The subjects have related themes, such as the flowers of the four seasons, the
(, , , ), the
(ladies renowned for their beauty).
Panoramic screen (通景屏)
The panoramic screen consists of several hanging scrolls that have continuous images, in which part of subject continues further in another scroll. These hanging scrolls cover large areas of a wall and usually do not have a border in between.
Couplet (對聯)
is two hanging scrolls placed side by side or accompanying a scroll in the middle. These are with poetic calligraphy in . This style came to popularity during the
Section of a painting displaying a Xuanhezhuang hanging scroll
Chinese mounting and conservation techniques are considered a traditional craft and are believed to have developed around 2,000 years ago. This craft is considered an art onto itself. Careful attention was and still is paid to ensure the quality and variety of the silk and paper to protect and properly fit the artwork onto the mounting, as it gives form to the art. The art is fixed onto a four-sided inlay, made from paper or silk, thus providing a border.
The artwork in the middle of the scroll is called huaxin (畫心; literally "painted heart"). There is sometimes a section above the artwork. This section is called a shitang (詩塘) and is usually reserved for inscriptions onto the work of art, ranging from a short verse to poems and other inscriptions, and these inscriptions are often done by people other than the artist. Although inscriptions can also be placed onto the material of the artwork itself. The upper part of the scroll is called tiantou (天頭; symbolizing "Heaven") and the lower part is called ditou (地頭; symbolizing "Earth").
At the top of the scroll is a thin wooden bar, called tiangan (天杆), on which a cord is attached for hanging the scroll. Two decorative strips, called jingyan (惊燕; literally "frighten swallows"), are sometimes attached to the top of the scroll. At the bottom of the scroll is a wooden cylindrical bar, called digan (地杆), attached to give the scroll the necessary weight to hang properly onto a wall, but it also serves to roll up a scroll for storage when the artwork is not in display. The two knobs at the far ends of the lower wooden bar are called zhoutou (軸頭) and help to ease the rolling of the scroll. These could be ornamented with a variety of materials, such as jade, ivory, or horn.
. National Palace Museum 2011.
SenGupta, Amitabh (2012). . Bloomington, United States: AuthorHouse.  .
Lee, V Gu, X Hou, Yuan-Li (2003). . Journal of the American Institute for Conservation 42 (3): 463–477. : 2011.
. The Metropolitan Museum of Art 2011.
Andrews, Julia F. (1994). . Berkeley: University of California Press. p. 232.  .
Sze, Mai-Mai (1957). . Taylor & Francis. pp. 62–65 2011.
Norwich, John Julius (1993).
(updated impression ed.). Oxford: Oxford University Press. p. 96.  .
Dillon, Michael (1998). . Richmond: Curzon. p. 273.  .
Sullivan, Michael (1984).
(3rd ed.). London: University of California Press. p. 71.  .
Qu, Lei Lei (2008). . New York: Sterling. pp. 58–9.  .
. National Palace Museum 2011.
. Chinese Civilisation Centre 2011.
Spielvogel, Jackson J.; Duiker, William J. (2010).
(6th ed.). Boston, MA: Wadsworth/Cengage Learning. p. 258.  .
. National Palace Museum. (for a diagram of the components of a hanging scroll)
: Hidden categories:From Wikipedia, the free encyclopedia
(Redirected from )
A hanging scroll (: 立軸; : lìzhóu; also called 軸 or 掛軸) is one of the many traditional ways to display and exhibit Chinese
and . Displaying the art in this way allowed public appreciation and appraisal of the aesthetics of the scrolls in its entirety by the audience. It is to be distinguished from the , which was narrower and often much longer and not designed to be all visible at once. The Japanese term for the similar objects in Japan is "". The Indian term for the similar object is
, whose origin dates back to the 5th century BC. Pattachitra is a general term for traditional, cloth-based scroll painting. In the Sanskrit language, "Patta" literally means "cloth" and "Chitra" means "picture". Most of these paintings depict stories of Hindu deities.
Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied and secured for storage. The hanging scrolls get rotated according to season or occasion, as such works are never intended to be on permanent display. The painting surface of the paper or silk can be mounted with decorative
silk borders. In the composition of a hanging scroll, the foreground is usually at the bottom of the scroll while the middle and far distances are at the middle and top respectively.
The traditional craft involved in creating a hanging scroll is considered an art in itself. Mountings for Chinese paintings can be divided into a few types, such as handscrolls, hanging scrolls, album leaves, and
amongst others. In the hanging scroll the actual painting is mounted on a larger mount of fabric or paper, sewn at the top and bottom ends round small wooden poles or rods. At the top the pole allows hanging by a cord, and at the bottom it provides a little weight to hold the scroll flat and steady.
In , scrolls originated in its earliest form from literature and other texts written on
banners. The earliest hanging scrolls are related to and developed from silk banners in early Chinese history. These banners were long and hung vertically on walls. Such silk banners and hanging scroll paintings were found in the tombs at
dating back to the
(206 BCE – 220 CE). By the time of the
(618–907), the aesthetic and structural objectives for hanging scrolls were summarized, which are still followed to this day. During the early
(960–1279), the scrolls became well suited to the art styles of the artists, consequently hanging scrolls were made in many different sizes and proportions.
Chinese hanging scroll of a painting on display in the
The hanging scroll provides an artist with a vertical format to display his art mounted onto a wall. It is one of the most common types of scrolls for Chinese
and . Horizontal hanging scrolls are also very frequently used and a common form. The hanging scroll is different from the handscroll in that the latter is not hung. The handscroll is a long narrow scroll for displaying a series of scenes in Chinese painting. This scroll is intended to be viewed section for section during the unrolling and flat on a table, which is in contrast to a hanging scroll that is appreciated in its entirety while guiding the eyes through the artwork.
There are several hanging scroll styles for mounting, such as:
Yisebiao (一色裱, one color mount)
Ersebiao (二色裱, two color mount)
Sansebiao (三色裱, three color mount)
Xuanhezhuang (宣和裝, also called 宋式裱,
type mount)
Besides the previous styles of hanging scroll mountings, there are a few additional ways to format the hanging scroll.
Hall paintings (中堂畫)
Hall paintings are intended to be the centerpiece in the main hall. It's usually quite a large hanging scroll that serves as a focal point in an interior and often has a complicated subject.
Four hanging scrolls (四條屏)
These hanging scrolls were developed from . It features several narrow and long hanging scrolls and is usually hung next to each other on a wall, but can also be hung on its own. The subjects have related themes, such as the flowers of the four seasons, the
(, , , ), the
(ladies renowned for their beauty).
Panoramic screen (通景屏)
The panoramic screen consists of several hanging scrolls that have continuous images, in which part of subject continues further in another scroll. These hanging scrolls cover large areas of a wall and usually do not have a border in between.
Couplet (對聯)
is two hanging scrolls placed side by side or accompanying a scroll in the middle. These are with poetic calligraphy in . This style came to popularity during the
Section of a painting displaying a Xuanhezhuang hanging scroll
Chinese mounting and conservation techniques are considered a traditional craft and are believed to have developed around 2,000 years ago. This craft is considered an art onto itself. Careful attention was and still is paid to ensure the quality and variety of the silk and paper to protect and properly fit the artwork onto the mounting, as it gives form to the art. The art is fixed onto a four-sided inlay, made from paper or silk, thus providing a border.
The artwork in the middle of the scroll is called huaxin (畫心; literally "painted heart"). There is sometimes a section above the artwork. This section is called a shitang (詩塘) and is usually reserved for inscriptions onto the work of art, ranging from a short verse to poems and other inscriptions, and these inscriptions are often done by people other than the artist. Although inscriptions can also be placed onto the material of the artwork itself. The upper part of the scroll is called tiantou (天頭; symbolizing "Heaven") and the lower part is called ditou (地頭; symbolizing "Earth").
At the top of the scroll is a thin wooden bar, called tiangan (天杆), on which a cord is attached for hanging the scroll. Two decorative strips, called jingyan (惊燕; literally "frighten swallows"), are sometimes attached to the top of the scroll. At the bottom of the scroll is a wooden cylindrical bar, called digan (地杆), attached to give the scroll the necessary weight to hang properly onto a wall, but it also serves to roll up a scroll for storage when the artwork is not in display. The two knobs at the far ends of the lower wooden bar are called zhoutou (軸頭) and help to ease the rolling of the scroll. These could be ornamented with a variety of materials, such as jade, ivory, or horn.
. National Palace Museum 2011.
SenGupta, Amitabh (2012). . Bloomington, United States: AuthorHouse.  .
Lee, V Gu, X Hou, Yuan-Li (2003). . Journal of the American Institute for Conservation 42 (3): 463–477. : 2011.
. The Metropolitan Museum of Art 2011.
Andrews, Julia F. (1994). . Berkeley: University of California Press. p. 232.  .
Sze, Mai-Mai (1957). . Taylor & Francis. pp. 62–65 2011.
Norwich, John Julius (1993).
(updated impression ed.). Oxford: Oxford University Press. p. 96.  .
Dillon, Michael (1998). . Richmond: Curzon. p. 273.  .
Sullivan, Michael (1984).
(3rd ed.). London: University of California Press. p. 71.  .
Qu, Lei Lei (2008). . New York: Sterling. pp. 58–9.  .
. National Palace Museum 2011.
. Chinese Civilisation Centre 2011.
Spielvogel, Jackson J.; Duiker, William J. (2010).
(6th ed.). Boston, MA: Wadsworth/Cengage Learning. p. 258.  .
. National Palace Museum. (for a diagram of the components of a hanging scroll)
: Hidden categories:}